You can listen to a professional narration of this article below:
I was reading Ryan Holiday’s Stillness Is the Key and stumbled on this quote from the Greek philosopher Epictetus:
“Most of us would be seized with fear if our bodies went numb, and would do everything possible to avoid it, yet we take no interest at all in the numbing of our [minds].”
I modified that quote just a tiny bit, I substituted minds for souls. Epictetus was born in 50 AD – that is, long before the invention of the iPhone. If he looked at us today, he’d probably add minds to his quote.
I can definitely see how we – and this is a royal “we,” since I’m speaking first and foremost about yours truly – are always trying to numb our minds. We constantly need the mental organ entertained and well-numbed with external stimuli. It seems that whenever we are left with ourselves, that is, with our minds, we reach out for our favorite portable numbing device and happily lose ourselves in Facebook, Twitter, Netflix, YouTube, a video game, or what have you. We spend little or no time with … ourselves.
My family and I are spending a few days in Vail. Every morning I walk to the Betty Ford Alpine Gardens, a wonderful small botanic garden. I sit on the bench and just look at nature. Sometimes I listen to music, but not always – I also want to listen to nature. I usually love all the seasons, but I really don’t want summer to go away. I have fallen in love with my daily walks in the park.
I have to confess, it’s not easy to de-numb. I, like everyone else, am addicted to my numbing device. So I removed all applications from my iPhone other than phone, texting, maps, Spotify, and a few others that are very functional, like Uber. I am learning how to be one on one with my mind.
Try this. Spend less time with your phone, more time with yourself, and go for walks. You may feel calmer, more at peace, and a tiny bit happier.
You can have a look at the pictures I took in my morning walks in Vail here and my beautiful walks in Betty Ford Alpine Garden here.
I am going to take a break from writing about the stock market this summer. I am still going to write daily, but the topics that are more of interest to me right now have to do with our minds and souls.
But don’t you worry, you’ll still get plenty of the stock market writing from me. In forthcoming blog posts, I will share with you excerpts from my letters to IMA clients, starting with the most recent one, from June 2020, but also portions of previous client letters. When you read them, realize that they were not written in the form of articles but as a continuous conversation with the IMA Tribe about their portfolios.
Tchaikovsky’s Piano Concerto No 2
Ifell in love with Tchaikovsky’s music when I was well into my thirties. I am not talking about his ballets or even his first piano concerto. (I feel I consumed that concerto in tandem with my mother’s milk.) But I feel that I had to mature as an adult to be able to relate to the deep emotional content of Tchaikovsky’s symphonies. Today I want to share with you Tchaikovsky’s second piano concerto. I listened to it a few times when I was younger, but it didn’t click with me until recently.
Tchaikovsky was a symphonist. He admitted to a friend that he hated the way the piano sounded with an orchestra. In Tchaikovsky’s piano concertos the piano is often not a soloist but just another instrument. You can clearly hear this in the second movement of his second piano concerto.
There are two versions of this concerto. The first version is what Tchaikovsky originally composed; but it was long, and so it was modified (cut) by Tchaikovsky’s friend, the composer Alexander Siloti. The second movement of this concerto received most of Siloti’s knife work, allowing us to clearly see the difference between Tchaikovsky’s piece and what a by-the-book piano concerto should be like. Siloti took what sounded like a triple concerto (a concerto for violin, cello, and piano) and turned it into a concerto for piano and orchestra.
Luckily for us, both versions were preserved. Here is the (uncut) original version. It starts with a violin solo, followed by solos for cello and then piano – a typical triple concerto.
Vitaliy Katsenelson is the CEO at IMA, a value investing firm in Denver. He has written two books on investing, which were published by John Wiley & Sons and have been translated into eight languages. Soul in the Game: The Art of a Meaningful Life (Harriman House, 2022) is his first non-investing book. You can get unpublished bonus chapters by forwarding your purchase receipt to bonus@soulinthegame.net.
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